How should Christian art be informed by the Christian worldview? (part 4)
We have already made some important observations about how the Christian worldview impacts Christian art. In this post, we are going to…
Consider the Crash
Man disobeyed and rebelled (Gen. 2:16-17; 3:6) and this brought spiritual and physical death (Gen. 2:17; 3:19), pain (3:16-17), difficulties (3:18-19), and separation from God (3:23-24). This is the bad news that we all live in (so, in a future post, we’ll consider our current condition).
In Genesis 3:1-24 we see the Fall of humanity. We see various forms of death given birth to. We see “’an ever-growing avalanche of sin, a continually widening chasm between man and God’. It progresses from disobedience, to murder, to indiscriminate killing, to titanic lust, to total corruption, and uncontrolled violence.” Sin truly brings a litany of death. “Disease, genetic disorders, famine, natural disasters, aging, and death itself are as much the result of sin as are oppression, war, crime, and violence. We have lost God’s shalom—physically, spiritually, socially, psychologically, culturally. Things now fall apart.” Sin opens Pandora’s box and unleashes a horde of evil.
As we have seen, God’s creation was intended to be good, beautiful, and aesthetically pleasing to our senses, emotions, and intellect beyond what we can imagine. So, in the Fall, we see we have marred more than the mediocre; we have marred the Michelangelos of the world. We have marred superb beauty and made it unbelievably hideous.
We often think of this world as the way it is not as the way it was intended to be. If we could see a glimpse of what the Great Creator had in mind for His masterpiece, then we’d see that we “paved paradise and put up a parking lot.” We essentially killed a thousand Beethovens and blared white noise. We backfilled the Grand Canyon with gravel. We burned a hundred museums of art. We scorched our taste buds off our tongue. We took a wrecking ball to all the wonders of the world and razed a thousand gorgeous cities. We brought cataclysmic chaos to the world.
Sin is not a light thing. We, as humans, were created in the image of God. We were to be like Christ, God in flesh (cf. Gen. 1:26-27). The world was meant to be supremely glorious, peaceful, and loving but instead it is disgusting and understandably repugnant to God. So, as we try to grasp the wonder of what has been marred we can begin to understand how serious the situation is and how terrible sin is.
The crash happened in Genesis 3, man disobeyed God and chaos and curse ensued. In the crash, we see what went wrong with us and the world.
Observation: The image we bare is tainted and marred. It’s like one of Winslow Homer’s famous watercolor paintings had a pail of acid poured on it. We can still trace the image but it’s faded. We need a master painter to repaint us.
It is important to observe that “The arts, which speak so subjectively and so very personally regarding who and what we are in relation to our Maker are very vulnerable to the distortion that sin has brought in the world.” Even in the Bible art can be used to idolatrous ends. We, after the crash, often use creativity to de-create and desecrate the good world God has made.
We see that we often desire heaven and make hell. We want back in Eden and sometimes we express that, but sometimes we express the crash. We, in the words of Makoto Fujimura, “carry the dust of Eden in our DNA.” Michael Card has said, “A thousand examples speak of a deep, inner hunger for beauty that, at its heart, is a hunger for God. We hunger for beauty because it is a beautiful God whom we serve.” Yet, we are stuck on the outside of Eden. We are stuck yearning.
Much art reflects on this theme, from superhero movies to angsty art, we know there was a fall. We know we live after the crash. We desire the new creation but many don’t know the answer.
In the next post, we look at the answer.
 Revd Victor James Johnson, “Illustrating Evil – The Effect of the Fall as seen in Genesis 4-11,” 57 in Melanesian Journal of Theology 11-1&2 (1995).
 Timothy Keller, The Reason for God: Belief in an Age of Skepticism (New York: Penguin Group, 2008), 177. “Disunion with God is reflected in disunion with others and with oneself” (Johnson, Foundations of Soul Care, 466).
 Frank E. Gaebelein, The Christian, The Arts, and Truth, 75.
 Makoto Fujimura, Refractions.
 Michael Card, Scribbling in the Sand, 32.
 “Christianity explains our inability to sustain transcendence as evidence that creation, and the creation, have been corrupted” (David Skeel, True Paradox: How Christianity Makes Sense of Our Complex World, 88).
About Paul O'BrienI am a lot of things; saint and sinner. I struggle and I strive. I am a husband and father of three. I have been in pastoral ministry for 10 years. I went to school at the Southern Baptist Theological Seminary but most of my schooling has been at the School of Hard Knocks. I have worked various jobs, including pheasant farmer, toilet maker, construction worker, and I served in the military. My wife and I enjoy reading at coffee shops, taking walks, hanging out with friends and family, and watching our three kid's antics. :)
I am a lot of things; saint and sinner. I struggle and I strive. I am a husband and father of three. I have been in pastoral ministry for 10 years. I went to school at the Southern Baptist Theological Seminary but most of my schooling has been at the School of Hard Knocks. I have worked various jobs, including pheasant farmer, toilet maker, construction worker, and I served in the military. My wife and I enjoy reading at coffee shops, taking walks, hanging out with friends and family, and watching our three kid's antics. :)