C. S. Lewis on Longing
Introduction
You can trace the theme of longing through most of Lewis’ writings. In some places, it is explicit in other places it is implicit. For example, Perelandra does not so much make an argument as much as make you desire and long to experience something of what Lewis wrote. When reading some of Lewis, we often find ourselves hoping what he writes about is true. Lewis’ argument is not really cognitive and logical as much as it is “kardialogical,” that is, reasoned from the heart. As Blaise Pascal said, “The heart has its reasons, which reason does not know.”[1]
It is also important here to look at what Lewis meant by longing or desire. Lewis himself said, “From the age of six, romantic longing—Sehnsucht—had played an unusually central part in my experience.”[2] Sehnsucht is a German term that communicates the longing that all of humanity has. It means “longing,” “yearning,” or “craving.” It is a way of saying, “something is intensely missing, there must be more.” Joe Puckett defines Sehnsucht this way:
The aching, and yet pleasurable, intense longing for a life that we cannot yet have but naturally and universally crave. It is the feeling of having lost something that we once had—giving us a sense of homesickness and discontentment with the less-than-ideal world we currently find ourselves in.[3]
Lewis was specially equipped to discuss longing since from a very young age he had experienced such longing and had the ability to write about it with apologetic force in both narrative and essay form. My thesis is that Lewis is correct, our longing does point us beyond this world. Our longing ultimately points us to the Lord and His coming Kingdom.
Desert Soul
this land is as dead as my soul so purge and make new even if it means a knife i want life new life spring make me clean new i want You oh God, rescue me i'm drowning i don't see the light all is night an endless cycle down my soul's diseased and I need You please because the light is fading i'm forgetting You and Your ways the Devil's lies seem sweet give me swift feet to run for I am Your son let me not believe his lies they are my demise i need You.
Designer Sex (part 2)
Redemption: Romance Rebuilt
The world is broken but Christ came to redeem and fix it. Yet we live in the “already and not yet,” the time in between. We have the down payment and first fruits of all that is to come but Christ’s Kingdom hasn’t come to full affect yet. However, we do see what it means to truly love.
In Ephesians 5 we see an amazing picture of how a husband and wife are to relate to each other. We see a paradigm to build upon. We see love, respect, and mutual concern. We see the things that fell out with the Fall of humanity.
We need instruction. We need to be reminded that sex is a gift from God and not god. We need God to help us.
“God wants married couples to know that sex is his gift to them. And God does not give gifts to people so they won’t enjoy them. If God gives you steak he wants you to savor it. If he gives you wine, he wants you to enjoy it. And when he gives a couple sex in the covenant of marriage, he wants them to indulge in it. The NIV translates the end of Song of Solomon 5:1 this way: ‘Drink your fill of love.” Why would he tell us to drink up if he didn’t want us to be fully satisfied?”[i]
So often Christians are known for being boring and unable to enjoy things. But that just isn’t the case. We should be “known for saying ‘do’—do look, do touch, do indulge, do enjoy sexual relations within marriage.”[ii]
Our loving Father has created many good gifts to be received with thanksgiving (1 Tim. 4:3-4). “God is not stingy with joy when it comes to sexuality. If he gives you a gift, he wants you to enjoy it as it is designed to be enjoyed, which will ultimately lead to your satisfaction, not only with the gift itself but also with himself as the Giver.”[iii]
The Bible teaches that sex is not only a gracious gift but that pure passion is protection against impure passion (Cf. 1 Cor. 7:9).[iv] We see this in various places. Proverbs 5:15-23 says,
“Drink water from your own cistern,
flowing water from your own well.
Should your springs be scattered abroad,
streams of water in the streets?
Let them be for yourself alone,
and not for strangers with you.
Let your fountain be blessed,
and rejoice in the wife of your youth,
a lovely deer, a graceful doe.
Let her breasts fill you at all times with delight;
be intoxicated always in her love.
Why should you be intoxicated, my son, with a forbidden woman
and embrace the bosom of an adulteress?
For a man’s ways are before the eyes of the LORD,
and he ponders all his paths.
The iniquities of the wicked ensnare him,
and he is held fast in the cords of his sin.
He dies for lack of discipline,
and because of his great folly he is led astray.”
“Failing to structure frequent sexual activity into your companionship may open you for Satan’s temptations.”[v] Paul says, “Do not deprive one another, except perhaps by agreement for a limited time, that you may devote yourselves to prayer; but then come together again, so that Satan may not tempt you because of your lack of self-control” (1 Cor. 7:5).
However, that does not mean that we have an excuse for sexual sin if we feel like we have been deprived. This passage is not to be used to hold over your spouse’s head to tell them that they have to have sex with you.
New Creation: Our Longings Fulfilled
Sex is great and I thank God for it. But sex is not what life is about. God is what life is about. And soon we shall see Him face to face. Sex is an empty trace of the connection we long for, all the good that we enjoy is a mere pointer. It points us to God for whom we long to unite in fellowship with.
“Sex is a blessing from God. But sex is more than that. It is also a bridge to God. What I mean is that even the highest pleasures are sweetest intimacies are designed to leave us wanting something more. Sex creates a hunger for something infinitely more beautiful, pleasurable, and satisfying: God!”[vi]
Truly, what we as humans “crave more than anything else is to be intimately close to the God who made us.”[vii]
As I said, we are in the “already and not yet.” We have the first fruits but not the consummation. Though we can even now have fellowship with God through the work of Jesus and the presence of the Holy Spirit we still see God in a mirror dimly. We long for our faith to be sight.
Concluding Thoughts
In the the beginning Adam and Eve had fellowship with God and with each other. After the Fall the world fell apart, and like Humpty Dumpty it couldn’t be put back together again. Until Christ came. Christ put the world back together. He gave us something that sex could never give: restored fellowship with God.
Brothers and sisters, let’s not get the gift mixed up with God the Giver. Let’s not look for sex to fill the infinite hole that only the Infinite One can fill. It is the Creator and Sustainer of the universe, the One who created sex and every good gift, and holds every speck of stellar dust in the universe in His hand that fulfills and gives true life. In His presence there is fullness of joy. At His right hand their are pleasures forevermore (Ps. 16:11).
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[i] Chandler, The Mingling of Souls, 139
[ii] O’Donnell, The Song of Solomon, 131.
[iii] Chandler, The Mingling of Souls, 139.
[iv] O’Donnell, The Song of Solomon, 107.
[v] Rosenau, A Celebration of Sex, 5. “Satan tempts and destroys many marriages by extreme inhibitions, extramarital affairs, and other sexual distortions. Often it is subtle drifting apart and a lack of warm, connecting companionship. God has given spouses something precious in the ability as husband and wife to share a physical intimacy that cannot be matched in any other relationship. There is no replacement for what God intended sex to be for intimate marriages. It is a framework for expressing many powerful emotions, like joy, love, trust, and playfulness… Spouses who frequently play together sexually stay together in warm, bonded ways” (Ibid.).
[vi] O’Donnell, The Song of Solomon, 83.
[vii] Gary Thomas, Sacred Marriage, 24.
Ten Songs for those Struggling with Addiction
- “Start Over” – Flame feat. NF
- “Relief” (Acoustic) – Wolves At The Gate (feat Toby Morrell)
- “Redeemed”- Big Daddy Weave
- “Break the Cycle” – For Today
- “Killa” – Lecrae
- “This Is Amazing Grace” – Phil Wickham
- “Lord, I Need You” – Matt Maher
- “Rock of Ages” – Ascend the Hill
- “Your Great Name” – Natalie Grant
- “Sweetness of Freedom” – Citizens
The Contradiction that is Humanity
East of Eden, this trance in which were caught. Serpents all around, lies within, lies without. Death, death, unspoken though it be, prevails. Prevailing misery, wrapped in supposed ecstasy. Whisper, whisper; slither near, they speak the lies into my ear. Sell it all, the order built tall, fails. Embrace it all, accept all, end null. Trudge on and live and die, for what do we expire? Only all we desire. Endless cycle of misery, never free. Eat the apple, embrace the noose. Slither near, oh yes, my dear. Come here, constrict me. Worthless cycle, the viper of this world, strikes fast yet the venom kills slow. How strange, but the hand that feeds me, bites me. Diluted profit, fruitless field, this the futility that we yield. Strive for the Garden, yet we embrace the curse; oh, the contradiction that is humanity.
East of Eden, for a season, the King will soon return. Every foe vanquished, for every thorn a rose. The King, He soon shall reign! Then, the refrain, forever remain, “life, life!” The serpent is gone, we sing a new song forever of our Savior. We ate of the tree, He died on a tree to be the curse we created, and with His death, death’s defeated.
O’ for the Crash
Smug death
Infection
Guided by misdirection
I fall to the grave
Ablaze
In false glory
The story goes on
Repeated with repugnant nausea
I fall
O’ for the crash
For glue
To hold and make new
Made awake
Invigorated bliss
Subtle kiss
now bursting
O’ for light
O’ dawn blaze
Inflame my gaze
No more night
Set it to flight
Angst
The Subversive Nature of True Art
True beauty and art subvert the lie whispered in the Garden that roars in cacophonous echo today: “You shall be like gods!”
We walk the path that was blazed by our forebears; we autonomously seek for meaning in ourselves. Yet, periodically we stand before a sunset or Mozart or some other masterpiece and our autonomous walk is halted and we know, we intimately know, and even bask in the fact that we are not god and our good is not in autonomy, it is outside of us. We need. We need God.
The Breadth and Width of Musical Expression
It’s important for a painter to paint with a full pallet; yellows, reds, and blues and various types of hues; orange, green, and pink, in short, a full panorama of colors. This allows one to do better justice to reality. If a painter paints for very long and very well, he will eventually use the full range of colors.
Shouldn’t it be the same for musicians? Should not they, at times, have clashing symbols, bludgeoning bass, and frantic whispers? Is not there a time for aggression as well as joy? Soprano singers have their place, that’s true; but left to their own devices they won’t be able to communicate the breadth of the human condition and reality. We need waltzes and swing, we need metal and Mozart, we need jazz and, surprised to say, we need pop. However, that is not to say that all forms or types of music are good. That is not true in the artistic or moral sense. What I mean, rather, is that human experience is so broad that we need lots of “colors” and “easels” to express it. Look at the Psalms. Or look even just at David’s Psalms. David would have understood (and perhaps wrote) pop praise songs akin to what we hear on the radio as well as laments. David did not paint with broad bland strokes but used the appropriate “brush” for the appropriate picture.
I think we see a parallel also in the breadth of literature or genres in Scripture. One genre or form of literature simply won’t do in the communication of truth.[1] In the same way, contemporary Christian music in the vein of CCM, won’t be able to communicate the full breadth of truth in Scripture.[2] There are things worth screaming over and musically weeping over. I, for instance, am personally convinced that Christians need double-bass “fight” songs from time to time. I would argue that some heavy music is better than a lot of the stuff we hear on Christian radio (see here and here).
Popular contemporary Christian music tends to paint with brood bright strokes, using mainly happy and poppy major chords. Dark colors and minor keys seem to be all but forgotten. It’s like they’ve remembered redemption but forgotten the Fall. There are reasons to rejoice. But there are also reasons to weep, and scream. Christianity offers a full-orbed worldview. It deals with the pain and paradoxes of life. Much of contemporary Christian music doesn’t. A lot of secular music deals with angst; and that, that I can relate to. The world has much good in it, yet much bad, we are vying for meaning and redemption, and we have a thirst that can’t be quenched here. Much of contemporary Christian music, through lyrics and arrangement, doesn’t deal with or admit angst. It often seems ingeniune.[3]
Witness the realness and struggles of the Psalms. They are not always just poppy and happy. Sometimes they are, but not always. They incorporate a richer view of what it is to be: Blacks, browns, grays as well as pinks, yellows, and light blues; they use minor as well as major cords. They sing and scream. They cry and rejoice.
“When all Scripture references to music making are combined, we learn that we are to make music in every conceivable condition: joy, triumph, imprisonment, solitude, grief, peace, war, sickness, merriment, abundance, and deprivation. This principle implies that the music of the church should be a complete music, not one-sided or single faceted.”[4]
The Psalms and the Bible broadly communicate and speak to the human condition and I hope more and more Christian art will as well.
Christian music as a role should take into account the major plot turns of Scripture. Neither stuck in the Fall or New Creation. To do justice to Scripture and reality, much of Christian music must expand its scope to include the Fall and the tragic pain and loss that humanity now suffers as a result.
“Modern and postmodern art often claim to tell the truth about the pain and absurdity of human existence, but that is only part of the story. The Christian approach to the human condition is more complete, and for that reason more hopeful (and ultimately more truthful). Christian artists celebrate the essential goodness of the world that God has made… Such celebration is not a form of naive idealism, but of healthy realism. At the same time, Christian artists also lament the ugly intrusion of evil into a world that is warped by sin, mourning the lost beauties of a fallen paradise… There is a sense not only of what we are, but also of what we were: creatures made to be like God… Even better, there is a sense of what we can become. Christian art is redemptive… Rather than giving in to meaninglessness and despair, Christian artists know that there is a way out.”[5]
Hopefully there will be more and more Christian artists that deal with the damning affects of the Fall. That will deal with the angst and anger we often feel. But also the amazing promise of hope, redemption, and shalom through Messiah Jesus. This world is fallen but we must not forget the future, the coming reign of Christ, or what He has already accomplished on the cross.
True Christian expression should take into account the dark night of the soul, the melancholy madness we sometimes feel, as well as exuberant joy. It should recall our suffering Savior on the cross as well as His coming reign in which He’ll slay unrepentant sinners. It should at times acknowledge doubt and affirm belief. It should encompass the whole range of human emotions, various genres of Scripture, and the full sweep of the Christian story and the end (telos) of it all should be the glory of God through the exaltation of Christ.
This then would be real, rich, and weighty musical art. Music that strives, obtains, aches, yearns, realizes, weeps, and rejoices. Music that is accurate and true; music that is richly diverse and leaks over into other genres. Music that reflects the great story that we all find ourselves in—the creation of all things good, the Fall and thus futility we all reckon with, the redemption offered in Christ, and the Judgment and New Creation that awaits. Music that is rich, hopeful, and honest. Music that is hard and peaceful. Music that does justice to the world we live in, in all of its beauty and pain. Music that offers hope and redemption but that’s not naive about pain and pointlessness and suffering.
Music has a distinct ability to distill, channel, and focus truth and beauty into a unified whole so that the result is a type of laser that cuts into our core to wreak havoc and heal. As Augustine said, sounds flow into our ears, and truth streams into our hearts. Music is important and it shapes us.[6] It is thus important that it is done well and shapes us well, to the right end (telos).
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[1] “When the psalmist says, ‘Sing to him a new song; play skillfully, and shout for passages throughout the Psalms refer to all four main forms of music: strings, woodwinds, brass, and percussion. The ascriptions to the Psalms also contain evocative references to musical tunes, such as “The Death of the Son’ (Ps. 9) and ‘The Lily of the Covenant’ (Ps. 60). The Bible is full of many kinds of music. And as for literature, what further endorsement is needed beyond the Bible itself, which is the world’s richest anthology of stories, poems, historical torical narratives, romances, soliloquies, psalms, laments, prophecies, proverbs, parables, epistles, and apocalyptic visions?” (Philip Graham Ryken. Art for God’s Sake: A Call to Recover the Arts [Kindle Locations 180-185]. Kindle Edition.)
[2] “By continuously ‘praising the Lord’ the CCM artist rarely shows evidence of a comprehensive worldview. In fact, the world is not viewed at all. What is viewed is personal spiritual experience and usually only its more beautiful peaks. The valley of the shadow of death is rarely traversed, nor is the valley of indecision” (Steve Turner, Imagine: a vision for Christians in the arts, 52).
[3] “The problem with some modern and postmodern art is that it seeks to offer truth at the expense of beauty. It tells the truth only about ugliness and alienation, leaving out the beauty of creation and redemption. A good deal of so-called Christian art tends to have the opposite problem. It tries to show beauty without admitting the truth about sin, and to that extent it is false-dishonest about the tragic implications of our depravity. Think of all the bright, sentimental landscapes that portray an ideal world unaffected by the Fall, or the light, cheery melodies that characterize the Christian life as one of undiminished happiness. Such a world may be nice to imagine, but it is not the world God sent his Son to save” (Ryken, Art for God’s Sake, 242-246).
[4] Harold M. Best, Music Through the Eyes of Faith, 186.
[5] Ryken. Art for God’s Sake, 217-227
[6] “Music gets ‘in’ us in ways that other forms of discourse rarely do. A song gets absorbed into our imagination in a way that mere texts rarely do… Song seems to have a privileged channel to our imagination, to our kardia, because it involves our body in a unique way… Perhaps it is by hymns, songs, and choruses that the word of Christ ‘dwells in us richly’” (Smith, Desiring the Kingdom, 171).
in X 