Why Do We Sing In Church? [Part 2]
Singing Transforms Us
“And let the peace of Christ rule in your hearts,… Let the word of Christ dwell in you richly,… singing psalms and hymns and spiritual songs” (Col. 3:15-16).
“And do not get drunk with wine, for that is debauchery, but be filled with the Spirit, addressing one another in psalms and hymns and spiritual songs, singing and making melody to the Lord with your heart” (Eph. 5:18-19).
God uses singing to transform us because when we sing God’s truth the Word of Christ dwells in us richly. When we exalt Christ and God’s truth in song we teach ourselves what to desire. We see the glory of Christ and the Spirit tunes our hearts to sing God’s praise. Intentional singing (not haphazard but meditative and prayerful) leads to being transformed by the renewal of our mind (cf. Rom. 12:1-2; notice we offer up our bodies so we see cognition, violation, and emotion all involved in songs of worship and a life of worship). We behold Christ and are thus slowly transformed into His image (2 Cor. 3:18; Col. 3:10). We are sanctified by the word of Christ, as we sing of Christ (Jn. 17:17).
Jesus reasons with us in Matthew 6:19-24 about desire. He shows that what is in our best interest, i.e. what we should desire, is laying up treasure in heaven. He tells us specifically in verse 21 that what we desire, i.e. “treasure,” will bring the rest of us along (i.e. “heart”). Our battle is thus the battle of treasuring, desiring. It is clear then that right and good worship is vital because it exalts and holds before us our chief end. Songs of worship are teleological teachers. If our worship has as its object the wrong thing we will thus go wrong in innumerable ways (cf. Rom. 1:18-32).
“Our chosen actions are always the result of deeply held beliefs about the truest and most beautiful sources of life.”[i] So we see that “Worship is a battle—the battle of two lovers. To worship our Worthy Groom we have to put off the mindset of the flesh that conforms us to the world ruled by the False Seducer. We have to put on the mindset of the Spirit by being transformed through renewing our minds, our inner rational control center of images and ideas about the source of life.”[ii] And so we sing. We remind ourselves, sing to ourselves, and others, that God alone is worthy. Notice also that it is not just the Christian that worships, all people do. And all people have things—whether music, movies, or some other form of media—that holds before them and glorifies their chief end of life (e.g. the gangster has a certain type of rap music that glorifies their view of the good life).
Keeping our chief end in view, or the correct biblically informed chief end in view, is difficult. Truly, in the world we live in
“There is a ‘downward pressure’ continually in operation, which seeks to take that which is penultimate, and make it ultimate… The antidote to such ‘downward pressure’ is the continual eschatological emphasis of word and sacrament, of prayer and praise, and of koinonia [fellowship] lived in the present in light of the age to come.”[iii]
Thus we must focus on what is true, noble, right, pure, lovely, admirable, excellent, and praiseworthy (see Phil. 4:8).[iv] We must keep “the good,” the true good—God and His truth ever before us.[v]
We need deep and substantive reflection and celebration. We need to work at fostering worship of the one true God. John Piper rightly says,
“It is… superior satisfaction in future grace that breaks the power of lust [or addiction, etc.]. With all eternity hanging in the balance, we fight the fight of faith. Our chief enemy is the lie that says sin will make our future happier. Our chief weapon is the truth that says God will make our future happier… We must fight [our sin] with a massive promise of superior happiness. We must swallow up the little flicker of lust’s pleasure in the conflagration of holy satisfaction.”[vi]
Where do we turn for this? “The role of God’s Word is to feed faith’s appetite for God. And, in doing this, it weans [our] heart away from the deceptive taste of [temptation].”[vii] Therefore, we must feast on Scripture. And singing is an especially useful tool to help the word of Christ dwell in us richly (Col. 3:16). Singing songs and hymns and spiritual songs in Christian community is very important because, as C.S. Lewis said, “What is concrete but immaterial can be kept in view only by painful effort.”[viii] We need each other and we need music to shake us awake to unseen realities. That’s why we’re told—commanded even when we don’t feel like it—to make a joyful noise to the LORD (Ps. 66:1; 81:1; 95:1, 2; 98:4, 6; 100:1),[ix] even at times using clashing cymbals (Ps. 150:5).
We’re told to sing because when we sing with our voice our whole body, and I would argue, our whole self (i.e. our heart) reverberates with the truth of what we sing. When we sing lyrics, whether good or bad, they get into us and shape us. We are essentially preaching to ourselves, teaching ourselves, telling our self what we should desire, we are holding up a vision of prospering and “the good.”[x] If we are driving down the highway listening to Taylor Swift, Blink 182, or Eminem it has a very real potential to shape us. We, at least, very often, internalize what we are singing. We imagine and feel not only the rhythm and tone but what the whole artistic message is putting forth. Music shapes us by implanting seeds of desire.
We are to be filled with the Spirit, instead of being drunk with alcohol or high on drugs, in part through singing (Eph. 5:15-20).[xi] We sing because it is the means and the fruit of being indwelled by the Spirit and it is the means and the fruit of having the peace of Christ rule in our hearts (see Eph. 5:17-21; Col. 3:15-17). Thus,
“Worship is one of the most transforming activities for us to engage in as Christians… When we become duly impressed with God our lives change because the things that matter to us change. We no longer want some of the things we previously desired. An overridding and overwelming passion for God himself, God’s people, and God’s kingdom purposes in this world replace those desires. True worship happens when we get a glimpse of God–who he is and what he is about–and just stand there in awe of him, being impressed and transformed down to the very depths of our being by the magnificent vision of the glory of our heavenly Father.”[xii]
Truly, we must use a collaboration of means to remind ourselves that it is the LORD God, the Maker of heaven and earth, alone that can meet our every need. We must use good songs, good stories, the Bible, Christian community, logic, etc. to stir up our (correct) desires for the LORD and all the good He is and has for us. We must take care least there be an unworthy thought in our heart (Deut. 15:9). We must pursue things that bring light and life and reject what is rank in ruin and worthlessness (see e.g. Ps. 101).
Truly, wherever our treasure (i.e. desire, view of “the good,” or our view of the good life) is, our heart (“heart” in Scripture has to do with our whole self; cognition, volition, emotions) will be also (Matt. 6:21; Lk. 12:34).[xiii] Thus, we must work at fostering worship of the one true God. That is why we sing. It holds the goodness of God before us. It transforms us.
“Ever singing, march we onward,
victors in the midst of strife;
joyful music leads us sunward,
in the triumph song of life.”[xiv]
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[i] Robert W. Kellermen, Soul Physicians, 191.
[ii] Ibid., 188.
[iii] Doe, Created for Worship, 236.
[iv] Cf. Payne, The Healing Presence, 140.
[v] In Aristotle’s terms our view of “the good” is reshaped by knowledge. Aristotle says, “All knowledge and every choice have some good as the object of their longing” (1095a14 Page 4 for in Aristotle’s Nicomachean EthicsTrans. Robert C. Bartlett and Susan D. Collins [The University of Chicago Press: Chicago, 2011]). “Aristotle famously argues that all human beings do everything for the sake of what seems or is held to be good” (Ibid., 309). Augustine used the term summum bonum, “supreme good.” It took him years of searching to find it but when he found the summum bonum he said “you made us for yourself and our hearts our find no peace until they rest in you” (Augustine, Confessions, 21).And, in catechismal terms, if our chief end is to glorify God and enjoy Him forever (From the first question of the Westminster Shorter Catechism). it will necessarily have a specific impact on our lives. That is just the way we are as humans. We all, without exception, live towards our chief end, our view of the “good life.” However, this is messy, there are many things and ideas which vie for this place. Thus the importance of “knowledge” rightly directed (i.e. wisdom), “worship,” and “practice;” all of which inform, play off, and undergird the others. Romans 12:2 says that we are transformed by the renewal of our minds, and so we are. However, what we do with our bodies is also important. Notice that in Romans 12:1 we are told to present our bodies as living sacrifices. As humans transformation through practices of mind and body are not mutually exclusive. Rather, what we do with our mind and what we do with our body are closely linked together and have a continual corresponding effect on the other (cf. Thomas R. Schreiner, Romans, 647 and John R. W. Stott, The Message of Romans, 321).
[vi] Piper, Future Grace, 336.
[vii] Ibid., 335.
[viii] C.S. Lewis, Letter to Malcolm: Chiefly on Prayer (New York: Harcourt, Brace and World, 1963), 114.
[ix] “Worship isn’t merely a yes to the God who saves, but also a resounding and furious no to lies that echo in the mountains around us. The church gathers like exiles and pilgrims, collected out of a world that isn’t our home, and looks hopefully toward a future. Our songs and prayers are a foretaste of that future, and even as we practice them, they shape us for our future home” (Mike Cosper, Rhythms of Grace: How the Church’s Worship Tells the Story of the Gospel [Wheaton: Crossway, 2013] 104).
[x] “Music gets ‘in’ us in ways that other forms of discourse rarely do. A song gets absorbed into our imagination in a way that mere texts rarely do… Song seems to have a privileged channel to our imagination, to our kardia, because it involves our body in a unique way… Perhaps it is by hymns, songs, and choruses that the word of Christ ‘dwells in us richly’” (Smith, Desiring the Kingdom, 171).
[xi] “At the conclusion of a passage warning against irrationality and sins of flesh—Paul urges singing and music making… Augustine says: ‘Irrationality is bad. Sensuality is bad. Therefore, be careful about music.’ Paul on the other hand says, ‘Foolishness is bad. Sensuality is bad. Therefore, you had better sing’” (Steven R. Guthrie, “Singing, In the Body and In the Spirit,” 638).
[xii] Richard E. Averbeck, “Spirit, Community, and Mission: A Biblical Theology for Spiritual Formation,” 38 in the Journal of Spiritual Formation & Soul Care). I think Eph. 5:17-21 is noteworthy here. See also “Singing, in the Body and in the Spirit” by Steven R. Guthrie in JETS and “Being the Fullness of God in Christ by the Spirit” by Timothy G. Gombis in Tyndale Bulletin.
[xiii] “Disordered action is a reflection and fruit of disordered desire” (Smith, Desiring the Kingdom, 177)
[xiv] “Joyful, Joyful, We Adore Thee.”
Why Do We Sing In Church? [Part 1]
Introduction
A lot of times we find it hard to engage in singing at church. There are a lot of things to distract us: funny unfamiliar phrases, me singing off-key in front of you, and a thousand other things. Why sing? Why purposely engage in worship?
Singing at Sunday gatherings is basically one-third of what we do. Why do we do it? Why does so much time go into singing? Why have a worship team? Why should so many dedicate so much time so that we can sing songs? There are a lot of reasons. We will only look at three below; the three “T’s” of singing within the church. Singing teaches us, transforms us, and helps us cultivate a heart of thanksgiving.
Singing Teaches Us
“Let the word of Christ dwell in you richly, teaching and admonishing one another in all wisdom, singing psalms and hymns and spiritual songs” (Col. 3:16).
“Addressing one another in psalms and hymns and spiritual songs, singing and making melody to the Lord with your heart” (Eph. 5:19).
Singing teaches us. But how? First, what is singing and what is music? Dicionary.com says singing is “to utter words or sounds in succession with musical modulations of the voice; vocalize melodically.” Music is “an art of sound in time that expresses ideas and emotions in significant forms through the elements of rhythm, melody, harmony, and color.”[i] So, singing can “expresses ideas and emotion” in a unique way. In a way that informational teaching cannot. I can teach on the fact that God sent His Son to die for us but singing that same truth will impact us diffrently. Take these lines for example:[ii]
“And when I think that God, his Son not sparing,
Sent him to die, I scarce can take it in,
That on the cross, my burden gladly bearing,
He bled and died to take away my sin.”[iii]
Singing and music hold the glories of Christ before us in a unique and powerful way.
Singing is a form of communicating ideas and emotions with voice and tune. Music is a gift. Music has the distinct ability to focus truth with laser precision. Music in Scripture is thus rightly placed in the same category as other speech gifts (see 1 Cor. 14:15, 26).
It is widely known that music has a special ability to affect people emotionally. It can help men march into war or weep at a funeral. Music is a powerful and precious gift but should not be wrongly used to stir peoples’ emotions up. That is, we desire the Spirit to move and transform people by the content of the song, not merely by the contours of the song. We are to sing praise with our spirit, and our mind also (1 Cor. 14:15). So it’s important that when people are moved in Christian worship that they “be moved by the impact of the truth on the mind and conscience. Any attempt to bypass these is both wrong and dangerous.”[iv]
First Corinthians 14:26 tells us that “When you come together, each one has a hymn, a lesson, a revelation, a tongue, or an interpretation. Let all things be done for building up.” So when we “come together” we have “a hymn” for the purpose of “building up” each other. Thus, one of the reasons we sing and play various instruments is for the purpose of building each other up.
The “word of Christ dwells in us richly” not just through listening to preaching, talking with friends, or even through the memorization of scripture, but also through “singing” (Col. 3:16). Thabiti Anyabwile has said, “Singing is the moving van taking the Word of Christ into the temple of our lives.” Notice that when we sing more of our whole person is involved—our intellect, emotion, and volition. It should be our desire when we worship to involve as much of our self as we can—body, mind, emotions.
We are physical people; we’re not just souls. We have bodies. So, I believe physical actions (see kinesthetic learning) are important while we sing. So, when you worship: kneel, clap, raise your hands, bow your head, and even dance! We see precedence for these things in Scripture (Ps. 2:12; 47:1; 95:6; 134:1-2; 150:4). Of course, everything should be done “decently and in order” (1 Cor. 14:40).
We must consciously think hard about what the song is communicating (thus we use our mind/cognition; 1 Cor. 14:15). We should thus also be greatly impacted by it (emotions). And as we worship our will (or volition) should be actively engaged as well (both in short-term kinesthetic acts and by long-term acts of service like ministering to orphans and widows). That is, we should actively pray for God’s truth to impact us, we should actively contemplate why God’s truth is amazing, we should actively think about the emotional response we should have, and we should actively evaluate how our everyday life should be reshaped in light of God’s truth.
The question could be asked, “To whom do we sing? I thought that when we gather and sing together, we sing praise to God. So how is teaching part of our songs of worship? How does singing teach us?”
Perhaps surprisingly, we see from Scripture that there are two audiences. We sing to “one another” and we “make music in our hearts to the Lord” (Eph. 5:19). Music has both a horizontal and vertical element to it. Music has the function of edifying and transforming us from the inside out as we meditate on and proclaim God’s truth (cf. 17:17) and it also thanks God for who He is and what He has done.
As we sing praise to God we are also teaching our brothers and sisters (and even ourselves). As we sing in unison we are united in the teachings of the church. We are confessing truth. We are telling others of the gospel and the wonders of God. We are also internalizing God’s truth for ourselves. We are hiding God’s truth in our heart. We are letting Christ and His truth take up residence within us. We are teaching ourselves what to treasure and love.[v]
We give roughly one-third of our Sunday gatherings to singing songs of worship because singing these songs not only teaches but also transforms us. How does God use singing to transform us? …See Part Two.
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[i] Dictionary.com.
[ii] However, I do not mean that teaching is not important. Instead, I believe they compliment each other.
[iii] “How Great Thou Art.”
[iv] Noel Doe, Created For Worship, 235 see also Jonathan Edwards very important book Religious Affections. John Calvin said, “We should be very careful that our ears be not more attentive to the melody than our minds to the spiritual meaning of the words” (Institutes book III, 895).
[v] “Music gets ‘in’ us in ways that other forms of discourse rarely do. A song gets absorbed into our imagination in a way that mere texts rarely do… Song seems to have a privileged channel to our imagination, to our kardia, because it involves our body in a unique way… Perhaps it is by hymns, songs, and choruses that the word of Christ ‘dwells in us richly’” (Smith, Desiring the Kingdom, 171).
Giving to the Church
“For you know the grace of our Lord Jesus Christ, that though He was rich, yet for your sake He became poor, so that you by his poverty might become rich” (2 Cor. 8:9).
Why do we give?
…because God gave
We are to give out of the abundance of joy that is produced in us as we remember what Christ gave for us (see 2 Cor. 8:1-9). So we give cheerfully what we have decided to give out of an overflow of worship, not because we have been constrained to give by a command (2 Cor. 9:7).[1]
…because the Lord is worthy
The expectation that we see for us in Scripture is whole life commitment. The Lord is worthy so we offer all we are, our own selves, as living sacrifices because that is a reasonable response to His abundant goodness (see e.g. Rom. 12:1). We count everything as trash compared to Him (Phil. 3:8).
…because it’s an eternal investment
“As for the rich in this present age, charge them not to be haughty, nor to set their hopes on the uncertainty of riches, but on God, who richly provides us with everything to enjoy. They are to do good, to be rich in good works, to be generous and ready to share, thus storing up treasure for themselves as a good foundation for the future, so that they may take hold of that which is truly life” (1 Tim. 6:17-19 cf. Matt. 6:19-21)
…because everything is God’s
All over Scripture, we see God owns everything. Everything has been graciously given (and entrusted) to us by God (Deut. 10:14; Job 41:11; Ps. 50:10-12; 1 Cor. 4:7; Rom. 11:35).
…because we are stewards
I am not accountable to you and you are not accountable to me. We are accountable to God. We must all ask what God wants us to do with what He has given to us. And we must realize that God calls different people to manage different things in different ways; the Bible is replete with examples of this. God has entrusted us with different levels of responsibility for the gifts He has given us (Matt. 25:14-30; Lk. 12:48; 1 Pet. 4:10).
The common denominator between managers is not that they manage the same amount of stuff but that they are accountable and must be faithful. It is before God that we will be judged, not man (Rom. 14:10; 2 Cor. 5:10). Be faithful. But realize there are no exact standards prescribed so we should not prescribe them.
Where should we give?
Our priority should be to give where we are fed (see 1 Cor. 9:7-11; Gal. 6:10, 17; 1 Tim. 5:17-18). This makes sense because if we eat at Chick-fil-A we don’t pay at Chipotle.
Helpful Resources
Randy Alcorn’s book, The Treasure Principle
Redeemer Presbyterian Church’s “A 20 Day Study in Stewardship”
Discussion/Application Questions
1) Does meditating on the gospel of Christ motivate you to want to give?
2) Do you typically give with a cheerful heart that flows out of joy from the gospel?
3) Do you think it is legalistic to say that you must give to the church?
4) What does it mean that we are stewards/managers? Do you ever reflect on whether or not you are being a good steward of what God has entrusted to you?
5) Why is giving to the local church important? Or, do you think it is? What responsibility do you have to the local church?
6) Are you aware that everything that you have is a gift from God?
7) Materialism may be the single greatest pull away from authentic Christianity (cf. Deut. 6 esp. v.10-13). What do you think?
8) How can we purposely invest in heaven and not drift into the service of other “gods”?
Note
[1] It is instructive to look at the practice of tithing in Scripture. In the New Testament, Jesus does not command that we tithe but he does tell the Pharisees that they ought to tithe (cf. Matt. 23:23). In the Old Testament there was a tithe for Priests and Levites (Lev. 27:30; Num. 18:21-24), community celebrations (Deut. 14:22-29), as well as a tithe for the poor every three years (Deut. 14:28-29; see also Lev. 19:9-10). This equals out not to 10-percent but 23.3%, averaged over a three-year period. This does not take into account the first fruit offerings (Lev. 19:23-25; Num. 15:17-21) and free will offerings (1 Chron. 29:1-9). However, it should be noted that we are in a different governmental and religious situation than the Israelites. All that being the case, the question should never be, “are we to tithe?” or “how much must we give?” but rather “how much will we have the privilege to give to Christ who gave all so that we might have all?”
Sing the Gospel
“Let the word of Christ dwell in you richly, teaching and admonishing one another in all wisdom, singing psalms and hymns and spiritual songs, with thankfulness in your hearts to God.”
~Colossians 3:16
Introduction
Colossians 3:16 comes in the context of thankfulness and living in light of the gospel. In the beginning of Colossians 3 we have seen that we are raised with Christ (v. 1), hidden with Christ in God (v. 3), and will appear with Jesus in glory (v. 4). So we see Colossians 3:16 flows from the gospel.
We see that there are two primary ways that the word of Christ dwells in us richly: 1) teaching and 2) singing. Teaching is important but it’s not the only means that God uses to implant His truth deep inside us. God richly blesses various forms of singing. Singing can be used to make Christ’s word dwell in us richly.
Wow. That is powerful. Singing is important. Singing is serious.
We all know this. We all resonate with music. It can move us even when we don’t know why.[1] It can help us memorize memorable and meaningful lyrics but also obscure and corrupt lyrics.
What should we sing about when we’re gathered togehter?
“Word of Christ”
When we come together and sing to one another we are to have as our goal Christ’s word dwelling in us richly. That is, we want to focus on who Christ is and what He has done, His person and work. We don’t want to keep our eyes on the horizontal, on what we have done or are called to do. We want to keep our eyes on the vertical, who Jesus is and what He has done.
When we gather to sing we want to sing songs that display the glory of Christ Jesus, who He is and all He has done. We want to see Christ! We want to exalt Christ! That does not mean that there can’t be variety. It means that in all our variety we don’t want to forget to worship the Lord God who has revealed Himself in Jesus Christ.
Variety
We see we are told to sing “psalms and hymns and spiritual songs.” We also see variety in the book of Psalm. Psalm 46:10 tells God’s people to be still, Psalm 150:5 encourages loud clashing cymbals. Psalm 136 has simple and repetitive lyrics. Psalm 105 has more sophisticated and substantive lyrics. Psalm 51 is a humble confession and Psalm 103 is relentless joy. The book of Psalm, the great song book of the Bible, has variety in style and lyrics. This variety served Jewish people of old and it continues to serve us today.[2] Variety is good.
The issue is thus not new songs verses old songs, hymns verses choruses, or an issue of style. The issue is does it make much of and point us to God and His glory? Does it point us to Christ?
Although, we desire a variety of different songs and even music genres this does not mean that skill is not important. Skill is important. Remember, singing is serious and we should take it seriously. Notice Psalm 33:3 says, “Play skillfully” so that must be what we strive for no matter what type of music we play or sing.
Conclusion
It is our joy to sing but we are also commanded to sing (cf. Ps. 100:1-2). So let’s praise Jesus with joy. Singing is serious.
Sing praises to God, sing praises!
Sing praises to our King, sing praises!
~Psalm 47:6
Songs to Keep in Regular Rotation
- In Christ Alone
- Before the Throne of God Above
- Praise to the Lord, the Almighty
- Speak, O Lord
- Behold Our God
- Holy, Holy, Holy
- The Gospel Song
- Grace Greater Than All Our Sin
- Jesus Paid It All
- When I Survey the Wondrous Cross
- All I Have Is Christ
- O Great God
- We Will Glorify
- Come Thou Fount of Every Blessing
- How Deep the Father’s Love for Us
- My Hope is Built on Nothing Less
- You Alone Can Rescue
- Man of Sorrows
- Your Great Name
- This is Amazing Grace
- Be Thou My Vision
- Grace Alone
What other songs would you add and why?
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[1] “It is indisputable that music is one of the most powerful media humans have at their disposal; how it mediates and what it mediates are notoriously hard to understand or explain” (Jeremy S. Begbie, Resounding Truth, 14).
[2] See Tom Olson, “Singing That Flows from the Gospel” 147 in Gospel Centered Youth Ministry. This document relies heavily on Olson’s chapter.
Evangelism as an Overflow of Worship
Why do we share the gospel? Because we’re told to? Guilted into it? Or do we share the gospel? Many of us don’t. However, what could motivate us to share the gospel? Guilt? I don’t think that’s the most helpful or biblical motivation.
We share the gospel or should share it because it is the gospel; it is good news! When we have good news will share it. If we like a certain football team, soccer team, or bad mitten team we will be excited if they win and likely even call friends that like the opposing team to brag. If we go to the store and see a certain purse or pair of pants on sale and we buy them we will be excited and even tell someone how much we paid for them. If we go to a new movie or see a show we like we will not hesitate to tell someone about it and that they “have to see it.” We do these things because we’re excited about the “good news.”
I could command you to tell the good news. I could write out the Great Commission right here and just say, “Do it.” But I think if I did that, I would be pulling that text out of context. Notice, before Jesus said His words in Matthew 28:16-20, He first did and said many other things. We find the Great Commission positioned at the end of Matthew. In fact, if my math is correct, there are one thousand and sixty-six verses before it. I believe we must first hear the rest of the book for Jesus’ last charge to be in context; not least of which is Jesus’ death and resurrection. I believe the followers of Christ who were there to hear Jesus’ charge were worshipers (cf. Matt. 28:1; 9: “Mary Magdalene and the other Mary… took hold of his feet and worshiped Him.”). They had not only heard the gospel but had seen it with their own eyes (1 John 1:1-2). They were not given some bland command in the Great Commission but rather it was to them an outlet so that they did not burst.
The singer must sing a song or go mad and the Christian must tell of Christ. Elihu describes well the feelings of compulsion we should have. “The spirit within me constrains me. Behold, my belly is like wine that has no vent; like new wineskins ready to burst. I must speak, that I may find relief” (Job 32:18b-20a).[i] Or Jeremiah says it this way, “If I say, ‘I will not mention him, or speak anymore in his name,’ there is in my heart as it were a burning fire shut up in my bones, and I am weary with holding it in, and I cannot” (20:9).[ii]
Singing, Sanctification, and Transformation
Why sing? Why are “psalms, hymns, and and spiritual songs” important? What does singing do?
In the world we live in
“There is a ‘downward pressure’ continually in operation, which seeks to take that which is penultimate, and make it ultimate… The antidote to such ‘downward pressure’ is the continual eschatological emphasis of word and sacrament, of prayer and praise, and of koinonia [fellowship] lived in the present in light of the age to come.”[i]
Truly, “unless there is within us that which is above us, we shall soon yield to that which is around us.”[ii] St. Gregory reportedly said something similar: “If you do not delight in higher things, you most certainly will delight in lower things.” Truly, “worship shapes individual and community character.”[iii] That is, all worship, good or bad, Christian or other, intentional or unintentional. Thus we must focus on what is true, noble, right, pure, lovely, admirable, excellent, and praiseworthy (see Phil. 4:8).[iv] We must keep “the good,” the true good—God and His truth—the summum bonum ever before us.
Our ultimate love, the place where we rest our desire, has an ultimate affect. So, “moral decay doesn’t happen in a vacuum. It is supported by the idolatry of the society at any given time, and expressive of its worship, even if such be completely unarticulated.”[v] Moral decay happens when something other then God is our ultimate good (cf. Rom. 1).
Thus, it is important that we temper our hearts variously through singing, community, and the absorption of God’s word. That’s how we’re shaped biblically and practically. The more we have our chief end in view, through various means, the better we will live to that end.
We need deep and substantive reflection and celebration. We need to work at fostering transformative experiential worship where we can taste and see that the LORD is good. We need God to restore to us the joy of our salvation. We need God to open the eyes of our heart, we need the Spirit to move, we need God’s strength to comprehend His amazing love that surpasses knowledge.
Truly
“It is… superior satisfaction in future grace that breaks the power of lust [or addiction]. With all eternity hanging in the balance, we fight the fight of faith. Our chief enemy is the lie that says sin will make our future happier. Our chief weapon is the truth that says God will make our future happier… We must fight [our sin] with a massive promise of superior happiness. We must swallow up the little flicker of lust’s pleasure in the conflagration of holy satisfaction.”[vii]
Where do we turn for this? “The role of God’s Word is to feed faith’s appetite for God. And, in doing this, it weans [our] heart away from the deceptive taste of lust.”[viii] Therefore, we must feast on Scripture. And singing is an especially useful tool to help the word of Christ dwell in us richly (Col. 3:16).
Singing psalms and hymns and spiritual songs and being involved in Christian community is very important because, as C.S. Lewis said, “What is concrete but immaterial can be kept in view only by painful effort.”[ix] We need each other, we need music, we need preaching to shake us awake to unseen realities. That’s why we’re told—commanded even when we don’t feel like it—to make a joyful noise to the LORD (Ps. 66:1; 81:1; 95:1, 2; 98:4, 6; 100:1).[x]
We’re told to sing because when we sing with our voice our whole body, and I would argue, our whole self (i.e. our heart) reverberates with the truth of what we sing. When we sing lyrics, whether good or bad, they get into us and shape us. We are essentially preaching to ourselves, teaching ourselves, telling our self what we should desire, we are holding up a vision of prospering and “the good.”[xi] If we are driving down the highway listening to Taylor Swift, Blink 182, or Eminem it has a very real potential to shape us. We, at least, very often, internalize what we are singing. We imagine and feel not only the rhythm and tone but what the whole artistic message is putting forth. Music shapes us by implanting seeds of desire.[xii]
We are to be filled with the Spirit, instead of being drunk with alcohol or high on drugs, in part through singing (Eph. 5:15-20). Thus,
“Worship is one of the most transforming activities for us to engage in as Christians… When we become duly impressed with God our lives change because the things that matter to us change. We no longer want some of the things we previously desired. An overridding and overwelming passion for God himself, God’s people, and God’s kingdom purposes in this world replace those desires. True worship happens when we get a glimpse of God–who he is and what he is about–and just stand there in awe of him, being impressed and transformed down to the very depths of our being by the magnificent vision of the glory of our heavenly Father.”[xiii]
Truly, “Reality is simply far too great to be contained in propositions. That is why man needs gestures, pictures, images, rhythms, metaphor, symbol, and myth. It is also why he needs ceremony, ritual, customs, and conventions: those ways that perpetuate and mediate the images to us.”[xiv] We must use a collaboration of means to remind ourselves that it is the LORD God, the Maker of heaven and earth alone, that can meet our every need. We must use good songs, good stories, the Bible, Christian community, logic, etc. to stir up our (correct) desires for the LORD and all the good He is and has for us. We must take care least there be an unworthy thought in our heart (Deut. 15:9). We must pursue things that bring light and life and reject what is rank in ruin and worthlessness (see e.g. Ps. 101).
Truly, wherever our treasure (i.e. desire, view of “the good,” or our view of the good life) is, our heart (“heart” in Scripture has to do with our whole self; cognition, volition, emotions) will be also (Matt. 6:21; Lk. 12:34).[xv] Thus, we must work at fostering worship of the one true God.
Singing sinks God’s truth deep within our souls. Singing works because it leads us to worship. Singing teaches us what we should truly desire. Singing tunes our hearts to sing God’s praise.
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[i] Doe, Created for Worship, 236.
[ii] Christian worship: it’s Theology and practice, 81
[iii] Doe, Created for Worship, 234.
[iv] Cf. Payne, The Healing Presence, 140.
[v] Doe, Created for Worship, 236.
[vi] Ibid., 235 see also Jonathan Edwards very important book Religious Affections.
[vii] Piper, Future Grace, 336.
[viii] Ibid., 335.
[ix] C.S. Lewis, Letter to Malcolm: Chiefly on Prayer (New York: Harcourt, Brace and World, 1963), 114.
[x] “Worship isn’t merely a yes to the God who saves, but also a resounding and furious no to lies that echo in the mountains around us. The church gathers like exiles and pilgrims, collected out of a world that isn’t our home, and looks hopefully toward a future. Our songs and prayers are a foretaste of that future, and even as we practice them, they shape us for our future home” (Mike Cosper, Rhythms of Grace: How the Church’s Worship Tells the Story of the Gospel [Wheaton: Crossway, 2013] 104).
[xi] “Music gets ‘in’ us in ways that other forms of discourse rarely do. A song gets absorbed into our imagination in a way that mere texts rarely do… Song seems to have a privileged channel to our imagination, to our kardia, because it involves our body in a unique way… Perhaps it is by hymns, songs, and choruses that the word of Christ ‘dwells in us richly’” (Smith, Desiring the Kingdom, 171).
[xii] Even Nirvana communicates; even if it’s emptiness or aggression that they put forward. However, realize that I am not saying that we cannot listen to Garth Brooks or Bruno Mars. Though I am not sure how or to what end those and other artist will shape you. I would say that “For Today,” a Metal band that is explicitly Christian, would have more of intentional transformative affect upon me then most artists. This is, I guess, both because of the content of their lyrics and the package in which they are wrapped (i.e. often very active and passionate singing and yes even screaming). However, Garth Brooks could perhaps have a transformative affect for some people as well (I am not one of them). Bruno Mars may be close to a-formative. Yet, as humans, I think we are similar to water. If we are not moving, i.e. being transformed, then we are stagnating, being deformed. Our bent, since the Fall, is away from our creator. Thus, perhaps, if we listen too much Bruno Mars and the like, a-formative music, we will stagnate. If we are left to our own devises and don’t have a gaud we do not progress. Our default is digression.
[xiii] Richard E. Averbeck, “Spirit, Community, and Mission: A Biblical Theology for Spiritual Formation,” 38 in the Journal of Spiritual Formation & Soul Care). I think Eph. 5:17-21 is noteworthy here. See also “Singing, in the Body and in the Spirit” by Steven R. Guthrie in JETS and “Being the Fullness of God in Christ by the Spirit” by Timothy G. Gombis in Tyndale Bulletin.
[xiv] Payne, The Healing Presence, 146 cf. 148.
[xv] “Disordered action is a reflection and fruit of disordered desire” (Smith, Desiring the Kingdom, 177)
The Breadth and Width of Musical Expression
It’s important for a painter to paint with a full pallet; yellows, reds, and blues and various types of hues; orange, green, and pink, in short, a full panorama of colors. This allows one to do better justice to reality. If a painter paints for very long and very well, he will eventually use the full range of colors.
Shouldn’t it be the same for musicians? Should not they, at times, have clashing symbols, bludgeoning bass, and frantic whispers? Is not there a time for aggression as well as joy? Soprano singers have their place, that’s true; but left to their own devices they won’t be able to communicate the breadth of the human condition and reality. We need waltzes and swing, we need metal and Mozart, we need jazz and, surprised to say, we need pop. However, that is not to say that all forms or types of music are good. That is not true in the artistic or moral sense. What I mean, rather, is that human experience is so broad that we need lots of “colors” and “easels” to express it. Look at the Psalms. Or look even just at David’s Psalms. David would have understood (and perhaps wrote) pop praise songs akin to what we hear on the radio as well as laments. David did not paint with broad bland strokes but used the appropriate “brush” for the appropriate picture.
I think we see a parallel also in the breadth of literature or genres in Scripture. One genre or form of literature simply won’t do in the communication of truth.[1] In the same way, contemporary Christian music in the vein of CCM, won’t be able to communicate the full breadth of truth in Scripture.[2] There are things worth screaming over and musically weeping over. I, for instance, am personally convinced that Christians need double-bass “fight” songs from time to time. I would argue that some heavy music is better than a lot of the stuff we hear on Christian radio (see here and here).
Popular contemporary Christian music tends to paint with brood bright strokes, using mainly happy and poppy major chords. Dark colors and minor keys seem to be all but forgotten. It’s like they’ve remembered redemption but forgotten the Fall. There are reasons to rejoice. But there are also reasons to weep, and scream. Christianity offers a full-orbed worldview. It deals with the pain and paradoxes of life. Much of contemporary Christian music doesn’t. A lot of secular music deals with angst; and that, that I can relate to. The world has much good in it, yet much bad, we are vying for meaning and redemption, and we have a thirst that can’t be quenched here. Much of contemporary Christian music, through lyrics and arrangement, doesn’t deal with or admit angst. It often seems ingeniune.[3]
Witness the realness and struggles of the Psalms. They are not always just poppy and happy. Sometimes they are, but not always. They incorporate a richer view of what it is to be: Blacks, browns, grays as well as pinks, yellows, and light blues; they use minor as well as major cords. They sing and scream. They cry and rejoice.
“When all Scripture references to music making are combined, we learn that we are to make music in every conceivable condition: joy, triumph, imprisonment, solitude, grief, peace, war, sickness, merriment, abundance, and deprivation. This principle implies that the music of the church should be a complete music, not one-sided or single faceted.”[4]
The Psalms and the Bible broadly communicate and speak to the human condition and I hope more and more Christian art will as well.
Christian music as a role should take into account the major plot turns of Scripture. Neither stuck in the Fall or New Creation. To do justice to Scripture and reality, much of Christian music must expand its scope to include the Fall and the tragic pain and loss that humanity now suffers as a result.
“Modern and postmodern art often claim to tell the truth about the pain and absurdity of human existence, but that is only part of the story. The Christian approach to the human condition is more complete, and for that reason more hopeful (and ultimately more truthful). Christian artists celebrate the essential goodness of the world that God has made… Such celebration is not a form of naive idealism, but of healthy realism. At the same time, Christian artists also lament the ugly intrusion of evil into a world that is warped by sin, mourning the lost beauties of a fallen paradise… There is a sense not only of what we are, but also of what we were: creatures made to be like God… Even better, there is a sense of what we can become. Christian art is redemptive… Rather than giving in to meaninglessness and despair, Christian artists know that there is a way out.”[5]
Hopefully there will be more and more Christian artists that deal with the damning affects of the Fall. That will deal with the angst and anger we often feel. But also the amazing promise of hope, redemption, and shalom through Messiah Jesus. This world is fallen but we must not forget the future, the coming reign of Christ, or what He has already accomplished on the cross.
True Christian expression should take into account the dark night of the soul, the melancholy madness we sometimes feel, as well as exuberant joy. It should recall our suffering Savior on the cross as well as His coming reign in which He’ll slay unrepentant sinners. It should at times acknowledge doubt and affirm belief. It should encompass the whole range of human emotions, various genres of Scripture, and the full sweep of the Christian story and the end (telos) of it all should be the glory of God through the exaltation of Christ.
This then would be real, rich, and weighty musical art. Music that strives, obtains, aches, yearns, realizes, weeps, and rejoices. Music that is accurate and true; music that is richly diverse and leaks over into other genres. Music that reflects the great story that we all find ourselves in—the creation of all things good, the Fall and thus futility we all reckon with, the redemption offered in Christ, and the Judgment and New Creation that awaits. Music that is rich, hopeful, and honest. Music that is hard and peaceful. Music that does justice to the world we live in, in all of its beauty and pain. Music that offers hope and redemption but that’s not naive about pain and pointlessness and suffering.
Music has a distinct ability to distill, channel, and focus truth and beauty into a unified whole so that the result is a type of laser that cuts into our core to wreak havoc and heal. As Augustine said, sounds flow into our ears, and truth streams into our hearts. Music is important and it shapes us.[6] It is thus important that it is done well and shapes us well, to the right end (telos).
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[1] “When the psalmist says, ‘Sing to him a new song; play skillfully, and shout for passages throughout the Psalms refer to all four main forms of music: strings, woodwinds, brass, and percussion. The ascriptions to the Psalms also contain evocative references to musical tunes, such as “The Death of the Son’ (Ps. 9) and ‘The Lily of the Covenant’ (Ps. 60). The Bible is full of many kinds of music. And as for literature, what further endorsement is needed beyond the Bible itself, which is the world’s richest anthology of stories, poems, historical torical narratives, romances, soliloquies, psalms, laments, prophecies, proverbs, parables, epistles, and apocalyptic visions?” (Philip Graham Ryken. Art for God’s Sake: A Call to Recover the Arts [Kindle Locations 180-185]. Kindle Edition.)
[2] “By continuously ‘praising the Lord’ the CCM artist rarely shows evidence of a comprehensive worldview. In fact, the world is not viewed at all. What is viewed is personal spiritual experience and usually only its more beautiful peaks. The valley of the shadow of death is rarely traversed, nor is the valley of indecision” (Steve Turner, Imagine: a vision for Christians in the arts, 52).
[3] “The problem with some modern and postmodern art is that it seeks to offer truth at the expense of beauty. It tells the truth only about ugliness and alienation, leaving out the beauty of creation and redemption. A good deal of so-called Christian art tends to have the opposite problem. It tries to show beauty without admitting the truth about sin, and to that extent it is false-dishonest about the tragic implications of our depravity. Think of all the bright, sentimental landscapes that portray an ideal world unaffected by the Fall, or the light, cheery melodies that characterize the Christian life as one of undiminished happiness. Such a world may be nice to imagine, but it is not the world God sent his Son to save” (Ryken, Art for God’s Sake, 242-246).
[4] Harold M. Best, Music Through the Eyes of Faith, 186.
[5] Ryken. Art for God’s Sake, 217-227
[6] “Music gets ‘in’ us in ways that other forms of discourse rarely do. A song gets absorbed into our imagination in a way that mere texts rarely do… Song seems to have a privileged channel to our imagination, to our kardia, because it involves our body in a unique way… Perhaps it is by hymns, songs, and choruses that the word of Christ ‘dwells in us richly’” (Smith, Desiring the Kingdom, 171).
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